Hostel: Part 2 The Hostel trilogy boasts a wide array of upsetting death scenes, but there's something bleakly fascinating about the blood-bathed 'Bathory' sequence from Hostel: Part II that really gets under my skin. For what feels like forever, we watch a member of the twisted murder club slit a young woman's throat and then bathe in the blood flow. As sick as it gets. I still contend that there's a lot more to the Hostel movies than just the gore, but if it's 'just the gore' you're after, then this freaky scene fits the bill.

Alligator On one hand, this movie is a very simple horror story about a very large alligator that terrorizes Chicago. On the other, it's a surprisingly clever Jaws homage/parody that offers some very cool gator FX. Nothing in this film scares me as much as the scene involving a few young boys, a dark swimming pool, and a very hungry alligator. Even with the raging jaws obscured by sloshing water, it's still gasp-worthy. I'm not ashamed to admit that this scene gave me nightmares for weeks when I was a kid. Deadly Friend Most of the kills on this list are shocking, gruesome, or particularly impressive in a special effects sense.

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This one is just nutty. It's not every day you see an evil robotic teenage girl throw a basketball so hard that it blows somebody's head off, but that's precisely what Wes Craven came up with here. With hindsight it seems pretty obvious that this murder scene is being played for laughs, but it sure doesn't play that way as it happens. The result is a sequence that's as unexpected as it is irretrievably wacky. Psycho Is the shower scene too obvious a choice to be included on this list? That scene is so iconic, so influential, and so damn creepy (yes, still) that I'd kick myself forever if I didn't put it on the list.

And if you've never actually watched Psycho all the way through, you might wonder what makes this scene so damn important. Not only is it a meticulously crafted piece of suspense, but the twist adds its own shock. Because, well, this isn't the sort of thing that's supposed to happen to our lead character. Hitchcock knew this scene would keep his audience off-balance, and he clearly had a great time putting his audience in that frame of mind.

Running time 122 minutes Country United States Language English Budget $22 million Box office $88.9 million The Hundred-Foot Journey is a 2014 American film directed by from a screenplay written by, adapted from Richard Morais' 2010 novel. The film stars,, and and is about a battle of two restaurants in a village: one by an Indian family and the other, a lofty restaurant. Produced by and for through their respective production companies, and, in association with and, it was released by on August 8, 2014, receiving generally positive reviews and earning nearly $90 million at the worldwide box office. Contents • • • • • • • • • • • • Plot [ ] The Kadam family ran a restaurant in. The second-oldest son, Hassan (), was being groomed to replace his mother () as the restaurant's main cook. However, a mob attacks and firebombs the restaurant over an election dispute. Papa Kadam () and his family evacuate the guests, but Mama is killed.

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Seeking in Europe, the family first settles in London, where their residence proves ill-suited for a restaurant. They depart for. Shortly after entering France, the brakes on Papa's van fail near in the. Marguerite (), a at an upscale French restaurant named 'Le Saule Pleureur' ('The Weeping Willow'), passes by and offers to help the Kadams find an auto repair shop and a guest house. She brings the Kadams to her apartment and treats them to cold food.

Papa is amazed at the quality of the food in the village and its availability and discovers that Marguerite made the food herself. Papa learns of an abandoned restaurant building available for purchase. It is located directly across the street — only a hundred feet (30 m) — from Le Saule Pleureur. Madame Mallory (), proprietor of Le Saule Pleureur and purporting to act as caretaker for the owners of the abandoned restaurant, asks the Kadams to leave because it is 'private property'.